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This presentation will focus on the 2019 short story collection Redemoinho em dia quente by Jarid Arraes and will refer to other works by this Brazilian writer, including her cordel anthology Heroínas Negras Brasileiras. Arraes’ literary works underscore the importance of narrating the lives and stories of women who are underrepresented or deemed peripheral, often absent or forgotten. Arraes stitches these multifaceted stories of survival into a heart-rending and powerful fabric that becomes a compelling archive of collective memory and presence. This living archive—or “active memory” as defined by Eva Giberti—defies invisibility and resists erasure. This paper will rely on Maria Angélica Melendi’s Estratégias da Arte em uma Era de Catástrofes (2017) as a framework.