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Situating my working within the increasing interest in how the nature of production in the cultural industries shapes the representation of racial minorities, in this paper I demonstrate how the process of formatting leads to the reproduction of racialised/gendered tropes. Following the sociologist Bill Ryan who describes formatting as ‘making an original to type’, I show how formatting in relation to the cultural commodities of racial and ethnic minorities becomes a process of making an original to racial archetype (which always has a gendered/sexual/class dimension too). Drawing from several case studies from my research into British Asian cultural production, I demonstrate how racial ideologies are embedded within, or rather, structured into the logic of formatting. In doing so I argue that breaking the cycle of the making of racial/gender/sexual stereotype entails strategies that focus not just on the politics of representation, but the transformation of industry logics and rationales themselves.