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This presentation discusses the emergent need to further theorize classroom assessment practices revolving around digital multimodal composing (DMC) in disciplinary secondary classrooms. Adopting a justice-oriented approach to assessment, this ethnographic case study with Grade 8 students in three English Language Arts classrooms in Western Canada sought to explain how a teacher-student-balanced approach to DMC assessment can illuminate the affordances of digital and multimodal resources in disciplinary learning, foster teacher-student trusting relationships, and leverage youth activism.