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Using Stephenie Meyers novel Twilight and Taylor Swifts hit-single Love Story, I propose that women are obligated to view themselves in light of a past-future constructs and are disempowered from affective self-expression. Ultimately, critical analyses must focus on what is strategically left unsaid in order to empower individuated, self-constructed identities free of counfounding theoretical lenses that obfuscate the subaltern self.