Film as Resistance: Documenting Black LGBTQ+ Experiences from the Civil Rights Era to Modern Cinema

• In Event: Black Cinema and Resistance

Abstract

This paper, Film as Resistance: Documenting Black LGBTQ+ Experiences from the Civil Rights Era to Modern Cinema, examines the evolution of Black LGBTQ+ representation in film, tracing its trajectory from underground documentaries of the 1960s to its emergence in modern mainstream cinema. It argues that film serves as a vital tool for both political resistance and cultural affirmation, shaping societal attitudes while representing the lived experiences and struggles of Black LGBTQ+ individuals.
The research begins by exploring the Civil Rights era, highlighting the intersection of race and sexuality in underground film movements and the significance of early works like Portrait of Jason (1967) in providing a voice to marginalized identities. It delves into the role of film during the 1980s and 1990s, particularly amidst the AIDS crisis, analyzing documentaries such as Marlon Riggs’ Tongues Untied (1989) as acts of defiance against erasure and stigma. The paper then transitions to the 21st century, where Black queer filmmakers and films like Moonlight (2016) have redefined narratives of Black queerness, achieving critical acclaim and mainstream visibility.
By examining key films and the people who created them, the paper demonstrates how the medium has challenged stereotypes, fostered empathy, and influenced public perceptions of Black LGBTQ+ communities. Additionally, it critiques the limitations of representation in mainstream media and the ongoing need for nuanced, authentic storytelling. Lastly, this study highlights the enduring power of film to document resistance, advocate for justice, and provide a platform for voices that have long been silenced.

Author

• Brelynn Jones