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Mad Max Fury Road arguably presents a feminist space, but it does not necessarily present a liberating space, either via gender or race. Miller’s reliance on the Just Warrior motif and what Isiah Lavender calls the “blackground”, the unnamed ever-presence of race, reflects the white supremacist arc of settler colonialism and furthers a narrative about moral superiority that takes into account but extends beyond gender. These pursuits are situated in the always-already presence of the post-apocalyptic landscape, where identity and meaning have been erased and reformed along particularly raced and gendered lines.