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This paper explores the politics of visibility around the performances used by feminist in Lima, Peru to raise awareness about the cases of forced sterilizations that took place between 1995-2000. Performance can certainly be a powerful advocacy tool for feminist politics and a mechanism to counter the oblivion that has been created around this event. However, in this paper, I ask: What are the perils of this strategy? What are the unintended consequences of using urban feminists’ bodies as a vehicle for representing the violence that peasant and indigenous women went through when they were forcibly sterilized by the Peruvian government?