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Both Martha Southgate’s 2005 novel Third Girl from the Left and the 2014 film Dear White People (dir. Justin Simien) represent Black women using filmic technologies as a means not simply to tell a story but also as an element of erotic intimacy. The classic reading of Black women’s relationship to the camera is one of fetishization and/or erasure. These two fictional texts offer a vision of Black women entering a queer relationship with the camera which allows exploration of new forms of bodily connection. Black women’s bodies become extended and expanded through their intimate encounters with these non-human apparatuses.