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Few television shows ave been more preoccupied with the liminal borderlands between the digital and human than the popular Netflix series, "Black Mirror." Despite critics' characterization of the series as a dystopian reflection of public fears about digital technology, I argue in this paper that the show is part of a larger trend in science-fiction television that engages with female agency and subjectivity (See, e.g., Halliday, 2014) and offers spaces of resistance to heteronormativity and racial hierarchies.