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This paper focuses upon the journey trope in Protestant conversion narratives. Rather than looking at the allegorical spiritual movement typified by John Bunyan’s Pilgrim’s Progress (1678), however, I explore texts including Richard Norwood’s Confessions (1639), where the journey trope is grounded in recollected movement through time and space. In seeking a form of direct transmission or transferral between the body’s empirical, observational ‘truth’ and a metaphorical spiritual cartography, Protestant writers frequently rely upon the language of mapping and navigation, resulting in a plottable geographical specificity which means that the convert’s journey (both actual and spiritual) can be verified and replicated. This is reminiscent of the traditional Catholic pilgrimage narrative, but in describing a spiritual change principally via the language of cartographic measurement and containment rather than highlighting a journey to a specific sacred space, these Protestant writers transform the physical labour of faith into an act of narrative map making.