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Session Submission Type: Panel
Art in a Cross-Confessional Context: A Trecento Icon at the Panagia Phanerōmenē in Kastoria - John Lansdowne, Princeton University
The Role of Genoa in the Arts of Trecento Constantinople - Justine Andrews, University of New Mexico
New Evidence on Simone Martini at Avignon: Work, Network, and Reception - Emma Capron, The Frick Collection
The Trecento Madonna of Cambrai - Christina Normore, Northwestern University