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In this multimedia paper I present my artistic research on queer feminist moving image making praxis, in which I argue that queer and feminist subjectivity, political affinity and sociality are imbricated in contemporary queer feminist moving image practice. I include material from the first mutated hybrid of creative practice, social movements and scholarship in my short film MyMy, a science-fiction/documentary about a queer cyborg, my personal approach to radical scholarship (HOT GOSSIP) and moving images hybridising queer/feminist social media and narrative fiction from my doctoral research.