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As previous research in feminist STS has argued, objects, bodies and identities emerge through a process of co-construction. One of the most ubiquitous material practices in many modern cultures is the act of wearing and walking in shoes. Putting on shoes can be understood as a point of contact between an individual’s physical foot and the standardised model of a social foot. As any shoe wearer will tell you, this meeting between body, design, and society is not always a felicitous one.
My paper explores the concepts of fit, comfort, health, and beauty as they intersect with the material performance of gender with a particular focus on the reinvention of the ‘comfortable high heel’. This continuous cycle of invention and modification as recently intensified with the emergence of mobile foot-scanning technologies, female footwear designers, and podiatrist-entrepreneurs. Through narratives of hi-tech customisation and technoscientific progress, these new designs purport to prevent the long-term health effects previously associated with high-heeled footwear while maintaining the longstanding association of the high heel with femininity and professionalism. This case study of how the reinvented high heel attempts to subvert a harmful body regime while maintaining a traditional gender norm shows not just how gender and technology are co-constructed, but also how beauty standards are as much worn on the body as they are in the body through the enactment of the feminine walk and, potentially, the clinical body.