Session Submission Summary

Queers, Laughs, Jabs, and Visitas: Exploring New Directions in Cuban-American Studies

Sun, November 12, 10:00 to 11:45am, Hyatt Regency Chicago, San Francisco, Ballroom Level West Tower

Session Submission Type: Paper Session: Talk Format

Abstract

Drawing from the multiple and overlapping methodologies of literary studies, cultural studies, and urban, social, and cultural history, the papers in this session present new terrain for examining and understanding Cuban-American history, politics, culture, and identity. The papers in this session move beyond celebration or condemnation of Fidel Castro, the Cuban Revolution of 1959, or the U.S. embargo to interrogate how Cubans on and off the island have constructed and confronted their racial, ethnic, gender, and sexual identities. These papers also recognize the importance of the transnational; in other words, these papers consider the (sometimes uneven) back-and-forth movement and dialogue taking place between and within Miami and Havana, on the stage and in the boxing ring, in newspapers, and vis a vis individual and collective memories. Julio Capo’s paper focuses on how Miami’s ties to Cuba and the Caribbean during the first half of the twentieth century created space for the growth of queer cultures and networks that served as an alternative to Havana. Albert Laguna’s work argues for the need to put Cuba and its diaspora into critical conversation through an examination of a 1990s Cuban comic variety show and el paquete semanal. Michael Bustamante begins to recover the testimonials and cultural production created by exile Cubans who visited the island in the late 1970s, seeking to understand the political significance of these exchanges for both Cuba and its diaspora. Christina D. Abreu uses the story of Cuban heavyweight boxer Teófilo Stevenson and a proposed bout with Muhammad Ali to tell a post-1959 Cuban national history framed in the context of the global color line and global Cold War. Taken together, these papers suggest that the field of Cuban-American Studies is methodologically diverse, has moved beyond a temporal framework preoccupied with 1959, and considers the diaspora central to understanding the Cuban nation and vice versa.

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