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Musical Movements and Sonic Identities
Thu, November 20, 4:45 to 6:15pm, Puerto Rico Convention Center, 206 (AV)Session Submission Type: Constructed Paper Session
Sub Unit
Individual Presentations
Listening for Tammi: Vocal Identity in the Duets of Gaye and Terrell - Andrew Flory, Carleton College
Sound as Black Situation: Anti-Neo-Colonial Poetics and Black Nationalist Music, 1965-1985 - Max Jefferson, University of California Berkeley
From Farm Aid to Fire Aid: The Benefit Concert as Symbol of the Welfare State in Decline - H Louise Davis, Miami University of Ohio
Performing Cold War American Identity: Ethel Merman and the Origins of the Broadway “Belt” - John Kapusta, University of Rochester