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Culture on the Move: Cultural Transpositions and Artistic Transmissions between China, Ryukyu, and Japan

Sun, April 3, 8:30 to 10:30am, Washington State Convention Center, Floor: 6th Floor, Room 602

Session Submission Type: Organized Panel

Abstract

This panel examines trans-cultural flows between different countries in premodern East Asia. The papers examine motifs, aesthetic principles, and spatial concepts of Chinese origin, transplanted into Ryukyu or Japan via networks of trade, diplomacy, religious, and intellectual exchange. Exchanges between China and Ryukyu highlight the importance of Fuzhou as a node of cultural and artistic dissemination. Originating in Chinese folklore, Hanshan and Shide transformed within China amidst the interplay of Buddhism and Daoism. Transplanted into Japan, these figures continued to evolve in ways both commensurate with their Chinese origins and in divergent paths specific to Japanese contexts. Similarly, a close examination of kan (Jp. gan) in Buddhist architecture reveals the dialectical process at work, constituting and re-constituting meaning in different cultural environments. Religious geography also forms the broader context for the development of Japan’s earthquake catfish. The Chinese-derived roots of this peculiar creature developed within the geo-cultural environment of the Lake Biwa area before spreading throughout Japan during the eighteenth century. All of the papers treat cultural production and transformation as emergent phenomena evolving from the complex interplay of local and regional geographies, political boundaries, trade networks, and religious traditions.

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