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This paper conceptualises the way the culture of rap and hip hop stages acts of resistance through ‘hidden’ and ‘public’ transcripts for a small group of young Indigenous Australian males in a secondary schooling site in Australia. Young Indigenous/Nunga voices in the Nunga Room highlight contentious dialogues about race, gender, identity, performance of agency and experiences of schooling as a counter narrative in the form of a resistive transcript. This paper argues that the dominant public and powerful discourses is challenged and ruptured by the hidden transcript to overturn the misrepresentation of Nunga males and identity to show how through rap as a resistive transcript, the discursive freedom is undergoing a process of power for the subordinate and powerless.