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This paper engages with the possibilities and potentials of digital filmmaking as a participatory approach to scholarly inquiry that both opens discourses of understanding and forecloses interpretive possibilities. With the use of visual data, representation is contingent; hidden by the interpretive lens of the camera and the faulty confidence of the audience that seeing is believing. Drawing on data gathered from a research project where I worked with culturally and linguistically diverse children and their teachers to create a short (12 minute) digital documentary film, this paper elaborates possibilities and potentials for the use of digital film in education and educational research, and necessary commitments to accompany this work.