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Many scholars recognize that speculative literature explores contemporary social issues though fewer studies examine the genre structures that construct those explorations. In this paper, I consider the concept of critical distance, or literary distance created between the reader and the social issues a text interrogates. I first place two scholars of the fantastic, Farah Mendlesohn and Darko Suvin, in conversation to tease out rhetorics of critical distance. I then turn that insight towards the Harry Potter series as I draw on Andre Carrington’s work on the “overrepresentation of whiteness” to examine how critical distance facilitates and complicates discussions of normative assumptions of whiteness in the franchise.