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This paper will serve as an analysis of Marinda Branson Moore’s (1863) Confederate textbook, The Geographical Reader, for the Dixie Children. This textbook advocated a particular construction and performance of childhood, a pedagogical script that served as a kind of ritual, a lived rehearsal of Southern identity in the theater of the Confederate school. In order to engage in this critical inquiry, I will utilize cultural historian Robin Bernstein’s (2011) theory of a “scriptive thing,” demonstrating how the curriculum of Moore’s Geography moved from the archive into the repertoire, inspiring embodied performances by Confederate children. Finally, I will briefly consider how traces of these (pedagogical) performances are still at work in curricula today.