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Session Type: Symposium
Throughout many educational disciplines, the written histories favor white heterosexual male narratives of linear progress and assume that tools and technologies are neutral. This session addresses some of the ignored histories and problematizes tools and technologies as contested sites. Through a series of papers on the role of textbooks and photography followed by an overview of multicultural practices and concluding with papers on the work of two specific female art educators, this session complicates traditional narrative understandings of the history of art education, including the pivotal book by Arthur Efland (1990). In order to reduce the curriculum violence (Ighodaro & Wiggan, 2011) inflicted upon our art education students, it is paramount that they see themselves reflected in the curriculum.
Exposing the Camera: How the History of Racial Bias in Media Technologies Impacts Art Education - OK Keyes, Virginia Commonwealth University
Black Artists of the Harlem Renaissance in Western Survey Textbooks: Narratives of Omission and Representation - Alphonso Walter Grant, University of Arkansas at Fayetteville
A History of Multicultural Art Education: Exclusion, Appropriation, and Otherness - Hannah Sions, Virginia Commonwealth University
Mabel D'Amico (1909–1998): Reminiscences From the Past - Ami Kantawala, Teachers College, Columbia University
Jane Addams, Queer Domesticity, and the History of Art Education - Courtnie N. Wolfgang, Virginia Commonwealth University; Melanie L. Buffington, Virginia Commonwealth University
Where Is the Color in Art Education? A Critical Portrait of Thomas Watson Hunster - Pamela Harris Lawton, Virginia Commonwealth University