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This paper advances Lave’s (2012) provocation for alternative perspectives that approach learning as, what Ingold (2011) refers to as, craftsmanship. We describe six months of ethnographic observation of teaching and learning in a ballet studio. Specifically, we report on teaching and learning in a weekly “variations” class, or a class that provides repeated opportunities for dancers to practice solos, as a group, with the guidance of an instructor. This paper asks: Guided by a theoretical sensitivity to craftsmanship, how does teaching and learning emerge, collectively, in ballet lessons? In the end, this paper advances learning with and as a body as a way forward toward a more creative social politics.
Ty Hollett, The Pennsylvania State University
Xinyun Peng, The Pennsylvania State University
Siyuan Luo, The Pennsylvania State University
Susan M. Land, The Pennsylvania State University