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Session Submission Type: Paper Session 100min
This session features cutting edge work looking at the structure and dynamics of the production of commercial cultural goods from field level, comparative, interactional and relational perspectives.
Art is a Vivid Foreground: Microsociology and the Making of Commercial Art - Gabrielle Raley, Knox College
Covering reciprocity: Who reciprocates musical covers? - Ian Peacock, University of California, Los Angeles; William G. Roy, University of California-Los Angeles
Creative Work(s) in the Age of Platforms: Comparing Popular Music and YouTube Production - Michael L. Siciliano, Queen's University
The digital logics of distinction: A field analysis of popular music on YouTube - Massimo Airoldi
The Manipulation Dance: Strategies Toward Enacting an Art or Commerce Orientation in Inter-Occupational Creative Groups - Rachel Elizabeth Skaggs, Vanderbilt University