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This presentation explores the Hot Mulch Band and the broader countercultural scene in the Ozarks as a case study in disrupting the status quo. Drawing on Victor Turner’s concepts of liminality and communitas, I argue that countercultural communities in the 1970s functioned as laboratories of equity—experimenting with self-sufficiency, alternative education, renewable energy (e.g. compost), and cooperative economies. Through the story of Hot Mulch, we see how music, imagination, and risk-taking created spaces of communitas that challenged dominant cultural norms. While these experiments faced challenges, their legacies endure in movements for food sovereignty, permaculture, and community land trusts. For sociology, Hot Mulch reminds us that studying edge people is studying innovators, and that daring disruptions can compost old orders into fertile ground for equity.