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This paper examines how Chinese young people engage in aesthetic labor through everyday digital practices on Rednote, a lifestyle-oriented social media platform, and how these practices shape gendered embodied subjectivities. Drawing on digital ethnography, including eight months of online participation, 21-day social media diaries, and in-depth interviews with 27 users aged 18–25, I develop the concept of the Aesthetic Matrix to theorize how platform affordances, neoliberal consumer culture, and heteronormative norms converge to structure the body as a continuous site of labor, investment, and optimization.
On Rednote, users participate in highly pedagogical aesthetic cultures that teach them to diagnose bodily “flaws,” curate appearance, and consume products as tools of self-improvement. Makeup tutorials, outfit recommendations, weight-management advice, and product reviews function as mechanisms of aesthetic discipline, encouraging users to fragment the body into improvable parts and attach commodities to each segment. Participants describe iterative processes of purchasing, experimenting, comparing, and refining their appearance, manifested in forms of labor that blend consumption, affective work, and self-surveillance. While framed as empowerment and “pleasing oneself,” these practices operate within hierarchical beauty standards, particularly the “pale-young-thin” ideal, that disproportionately burden young women.
I argue that aesthetic labor on social media extends classic sociological discussions of embodied and emotional labor by relocating workplace-like regimes of evaluation into everyday digital life. The body becomes both the medium and outcome of labor, producing symbolic value, social visibility, and aspirational femininity. By situating digital beauty practices within broader structures of gendered inequality, this paper advances scholarship on embodied labor, bodily capital, and the social construction of embodied value in platformed environments.