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Session Submission Type: Panel
Arrested development—a state in which growth has stalled, prematurely ended, regressed, or deviated from a certain developmental logic—is both a fitting and problematic metaphor for postsocialism, now in its third decade. Semiperipheral societies and economies like the former Yugoslavia are marked by “de-development” (Blagojević), and new generations have come of age to inherit “neoliberal capitalist and post-conflict precarity” (Jelača), conflicting identities and narratives about the past, and a repatriarchalized society (Burcar). This panel examines these and other forms of arrested development in contemporary ex-Yugoslav culture that impede individual and collective growth or reconciliation, as well as new unsanctioned or alternative developments that resist the limitations of dominant developmental logics. These papers analyze recent cultural production and engagement in a variety of mediums—film, literature, art, architecture—to provide a provisional, incomplete picture of what a “contemporary” Yugoslav or post-Yugoslav culture might be and how it engages with or deviates from what came before.This panel hopes to contribute to the field of New Yugoslav Studies.
The Art of Resistance: Against Censorship of Albanian Artists in Serbia - Dejan Vasic, Stanford U
Genealogy and Ambivalent Attachments in the Works of Nora Verde and Marija Andrijašević - Samantha Farmer, U of Michigan
Grappling with Victimhood Nationalism: Arrested Development on Screen in Post-Yugoslav Documentary - Katie Kasperian, U of Michigan
The Figure of the Father in the Contemporary Post-Yugoslav Novel and Arrested Development as a New Symptom of Post-Yugoslav Times - Tatjana Rosic Ilic, Singidunum U (Serbia)