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Session Submission Type: Panel
In his book Here Lies Hugh Glass (2012), historian Jon Coleman reveals how the encounter between people and animals not only damaged, destroyed, and remade bodies (human and nonhuman) but also helped shape a white, male U.S. national identity. This panel will build on this line of inquiry by examining the role of human-animal relations in the production of regional identity and environmental values in modern North America. The three presentations will explore how public spectacles of expropriation of and perceived cruelty toward animal bodies intersected with shifting values and identities in three distinct regional contexts. Susan Nance’s “Steamboat Sleeps at the Old City Dump” will examine how people in the West used the disposition of dead horses to talk about human honor and personal independence. Jason Colby’s “A Terrible and Sickening Spectacle” will analyze the impact of the 1970 killer whale roundup in Penn Cove, Washington, on the transborder identity and environmental values of the Salish Sea. Ian Jesse’s “Let the Poor Beasts Alone” will explore the public debate about the reintroduction and treatment of caribou in Maine in the 1980s. Chaired by, and with comment from, environmental historian Dolly Jørgensen (Umeå University), this panel will draw together innovative scholarship on the intersection of animal, environmental, and cultural history, while directly addressing the conference’s themes of how various publics negotiate over environmental politics.
“Steamboat Sleeps at the Old City Dump”: Rodeo and the Moral Economy of Horse Carcasses in the North American West - Susan Nance, University of Guelph
“A Terrible and Sickening Spectacle”: The Penn Cove Roundup and the Environmental Politics of the Salish Sea - Jason Colby, University of Victroria
"Let the Poor Beasts Alone": Caribou Reintroduction and Public Environmental Attitudes in Maine, 1986-1993 - Ian Jesse, University of Maine