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Session Submission Type: Organized Session
[NB: The following symposium consisting of two panels has been selected by the British Society for the History of Mathematics to receive financial support – subject to it being accepted by the HSS/ESHS programme committee (e-mail from Brigitte Stenhouse to the proponents from 19 November 2025).]
As Jim Bennett recounted, early-modern mathematical instruments created their own reality—or in the words of Gemma Frisius, they could allow practitioners to ‘… do by the inventions of geometry what is not permitted in the natural world’. Given this flexibility, when did practitioners regard their instruments as having succeeded or failed?
This panel explores how the acceptance of an instrument depended not simply on theoretical soundness, but also on contingencies of use, making, and sometimes even patronage. We explore how different actors defined and assessed instruments, and how their categories reveal mathematical rigor, performance, and fitness as historically shifting notions.
We have brought together presentations that extend the increasingly rich scholarship on instruments as material culture, on the role of tacit knowledge in their operation, and on the circulation of artisanal practices essential to their construction. Through our joint examination of mathematical instruments across diverse settings (Ottoman, European, Chinese, Persian; courtly, Jesuit-missionary, artisanal, and academic) we hope to enrich— and further complicate – the idea of a universal mathematics.
From the Hand to the Eye: How the ‘Skills’ of Makers and Historians Can Alter the Functions of Planispheric Astrolabes - Giorgio Strano, Museo Galileo: Institute and Museum of the History of Science, Florence
The Epistemic Lives of Ottoman Mathematical-Astronomical Instruments - Gaye Danışan, Istanbul University, Department of the History of Science
Kangxi's Astronomical Realia: Revisiting Ferdinand Verbiest’s Simplified Planar Instrument 簡平儀 - CHEN JI, University of Science and Technology of China
The 'New Quadrant' and Its Reception: Visual and Material Approaches - Josefina Rodriguez-Arribas, Universität Hamburg