Search Tips
Virtual Exhibit Hall
Session Submission Type: Panel
Since the latter part of the twentieth century, an ever-growing body of scholarly literature has illuminated indigenous perspectives on wars of conquest, Christianization, and, indeed, all facets of life under the Spanish Viceroyalty. Scholarly translations of colonial texts produced in native languages, studies of indigenous pictorial manuscripts, narrative analyses, and archival investigations have added dimension to our understanding of these perspectives. This panel invites further investigation of indigenous textual production from New Spain, with a special focus on innovation in the arts, broadly conceived. How do native artists, performers, authors, or scribes innovate, e.g., in their uses of Mesoamerican or European genres and artistic forms; renderings of cultural narratives; expressions of sacred understanding during a period that was profoundly marked by zealous campaigns of evangelization; or representations of ancestral identities and prerogatives?
Stephanie Y Schmidt, University at Buffalo (SUNY)
Angela Rajagopalan, University of North Carolina at Charlotte (UNC Charlotte)
Cultural Innovation in an Early Colonial Nahuatl Song: the Nativity of Christ, as Rendered in the “Cozcacuicatl” - Stephanie Y Schmidt, University at Buffalo (SUNY)
Hell and Purgatory: The Native and Spanish Construction of Other Worlds in Colonial New Spain - Mark Z Christensen, Brigham Young University
Reading Between the Lines: An Indigenous Account of Conquest on the Missing Folios of Codex Azcatitlan - Angela Rajagopalan, University of North Carolina at Charlotte (UNC Charlotte)
“Xe'ok na chi ajawarem qamama'” “And our Grandparents Entered into Lordship”: 'Reducción' and the Expression of Concepts of Authority in Colonial Guatemalan Texts - Ignacio I Carvajal Regidor, University of Texas at Austin
Nahuatl Texts from the Archbishopric of Guadalajara. Innovation within Religious Brotherhoods Using Alphabetical Writing - Rosa H Yanez Rosales