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Published during the years of the military dictatorship in Chile, the work of Diamela Eltit (1949) has long been placed on the periphery of publishing circuits. In this paper I would like to focus on one of Eltit’s most defying texts, El padre mío (1989), a verbatim transcription of the fragmented, apparently nonsensical testimony of a schizophrenic homeless man about Augusto Pinochet’s totalitarian regime. I am particularly interested in exploring the ways in which the schizophrenic’ speech enacts the difficulties of communicating traumatic experience, and how trauma is translated into a poetics of witnessing and a poetics of the subject under dictatorial regimes. In a postdictatorial context dominated by different voices presenting many versions of History, Eltit's book presents alternative ways of approaching both literature and testimony. Her transcription of the broken discourse of a mad man rethinks narrative genres in general and testimony in specific, not as a mere collection of facts but as a figurative collection of meanings that reflect a moment of sociopolitical and subjective crisis.