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Gaston Lerouxs gothic novel, Lloyd Andrew Webbers musical, various books and movies inspired by Lerouxs tour de force, and as of latest, Webber and Schumachers movie about the musical genius whose repulsive physical deformity forces him to live in solitude, have drawn readers and viewers alike. Whether it was Lerouxs captivating story, Webbers mesmerizing music, Hart and Stilgoes touching lyrics, superb singing and acting, or Shumachers stage wizardry, various versions of The Phantom have exerted a special appeal on many a reader and viewer. In this paper, I argue that a very special message of The Phantom, hidden amidst love, romance, and a touch of gothic horror, is the message of spiritual beauty and of its transforming power. Using as a theoretical foundation Bubers I-Thou primary relationship, I focus on the redeeming aspect of The Phantom of the Opera. In an age characterized by materialistic and narcissistic values, a spiritual message hidden in a work with a broad popular appeal gains special significance.