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In a re-examination of Habermas public sphere, Warner (2002) posits a mass-mediated culture, public, and counterpublics that function primarily through processes of consumption. I interrogate the roles and implications of consumption and production relative to publicity in the public sphere by exploring the Slow Food social movement and conclude that it functions as a foil to some of Warners hypotheses and an example of others, exhibiting a modern-day bourgeois public sphere within a mass-mediated culture.