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In 2006 more than 100 women from one of Colombias most violent cities joined together for The Strike of Crossed Legs. This protest involved denying intercourse to their male sexual partners until the men surrendered their weapons. The womens protest involved counterhegemonic appropriation of sexual intercourse and rap music. By exploring how the womens actions constituted Helene Shugarts counterhegemonic appropriation strategies of reflection and refraction, several implications arise for the analysis of social movement rhetoric.