Search
Program Calendar
Browse By Day
Browse By Person
Browse By Unit
Browse By Session Type
Search Tips
Personal Schedule
Sign In
X (Twitter)
In this paper, I argue that there is a large domain of free speech that concerns not language but the affect associated with that language. Through a close textual analysis of Diane DiMassas feminist cartoon, Hothead Paisan, I argue that trauma as the basis for a public culture vis-à-vis speech articulates a performative strategy for coping with the inequalities in access and resources characteristic of the traditional public sphere that pose affect against the signifier.