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This essay examines the interrelationship of popular culture, public memory, and human rights. Alabama-based blues musician Willie King has called attention to how the injustices of the past are still embedded in the social and political practices of today. At the same time, Kings message is a direct repudiation of hegemonic White southern memories that openly deny the brutality and violence embedded in the social practices of slavery and sharecropping, among other Southern atrocities.