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Performing “professor” or “student” in the academy often requires daily disavowals of working class and racial/ethnic identity. This performative paper explores complex negotiations of identity in universities and the potentially transformative “becomings” within the embodied community of performance studies classrooms. Weaving a professor’s working class background with performance pedagogy and perspectives and performances of first generation college students, “passing” becomes a lens for studying the rigors of “making the grade," “passing oneself off ,” “coming out,” and failing to pass.