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Black Queer feminist beatmaking explores the potential of a Black queer feminist praxis and critique through beatmaking and mixing that re-works hip-hop studies and hip-hop feminism, re-centering Black female and queer voices within hip-hop. To engender this form of pedagogy, this paper will provide a hip-hop feminist response to queer and Black girl body politics, identity, love and survival.This exploration and practice of Black Queer feminist beatmaking and performance is an attempt to conceptualize nuanced negotiations made as a Black queer woman hip-hop artist, critic and consumer, recalibrating Black female and queer voices through queer of color praxis.