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This paper draws from black feminist theorizations of ‘diaspora’ to engage the artistic works of Lucille Clifton (1980) and Reina Gossett (2017). Through the language of the poem I wish to extend Alexis Pauline Gumbs configuration of The Black Feminine Domestic, asking: what would it mean to claim the space of the Atlantic (and beyond) as resting place? Thinking with the images of the film I ask: how might the space of the Atlantic be re/membered in the club, the dressing room and other sites of black femme self fashioning.